Boring sans C

by Zetafonts

Character Set

386 characters

Uppercase Letters

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Lowercase Letters

a b c d e f g h i j k l m n o p q r s t u v w x y z

Numbers


                              U+0033

0 1 2 3 4 5 6 7 8 9

Punctuation

! @ # $ % ^ & * ( ) _ + - = [ ] { } | ; : ' " , . < > ? / \

Size Waterfall

72px

The quick brown fox jumps over the lazy dog

48px

The quick brown fox jumps over the lazy dog

36px

The quick brown fox jumps over the lazy dog

24px

The quick brown fox jumps over the lazy dog

16px

The quick brown fox jumps over the lazy dog

Text Samples

Pangrams

The quick brown fox jumps over the lazy dog

Pack my box with five dozen liquor jugs

How vexingly quick daft zebras jump

Paragraph

Typography is the art and technique of arranging type to make written language legible, readable, and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing, and letter-spacing, and adjusting the space between pairs of letters.

Numbers

0123456789

2.718281828459045

9,876,543.21

Designer's Notes

The font here is for PERSONAL/NON-COMMERCIAL USE ONLY!

To download the full font family (all weights, glyphs and numbers) and acquire the commercial license please visit our website:
https://www.zetafonts.com/boring-sans

For more info about our licenses:
https://www.zetafonts.com/licensing

CONTACT US:
website: https://www.zetafonts.com
have a question?: info@zetafonts.com

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Boring Sans, designed by Cosimo Lorenzo Pancini, is a typeface family designed along two variable axis: weight and weirdness. These two parameters allow designers to explore a full range of variations on sans serif design, starting from a neutral set of proportions and evolving to a strongly contrasted and dynamic treatment, ready to raise eyebrows on social media.

The basic "A" subfamily, developed in five weights plus italics, behaves like a traditional, solid workhorse sans serif, with finely tuned proportions for optimal readability and minimal emotional impact. The "B" subfamily, developed in the same ten weights, shows a more contemporary "brutal" approach, with slanted lines, deep ink traps and stronger contrast. All these features are brought to the extreme in the ten weights of the "C" subfamily, with each letter a bombastic show of exuberant weirdness. Each of the style variant is developed in five weight with matching italics, with a glyph set covering extended latin languages and including many alternate forms and stylistic sets.

Editor Specimen